Doubling, in general, tends to be frequently utilized to build up thickness, and the tight doublings provided by short delays (of 15–20 milliseconds or so), often along with wide panning, are great way to enhance and spread out various parts in an arrangement. Typical settings for Doubling, in mono (Top) and stereo-panned (Bottom)Īrtificial (electronic) Doubling is one of the most common techniques in mixing. If all else fails, the worst-case scenario may simply require a re-thinking of the use of the echo effect-pulling it down or out, as the situation demands. The echo itself could be more selectively applied-perhaps to only some words or phrases-though that may not achieve the desired overall effect. A Noise Gate could be applied to strip away leakage in-between the original signal’s phrases, or audio repair software could be pressed into service to try to remove unwanted leakage under the voice. Mixing tracks with leakage in the studio may offer further options. You could try to achieve the desired echo effect with a Tempo-synced delay time, though that may also prove impossible in a live situation, where the only viable choice may be to minimize the level of the effect. Obviously, the best solution is to avoid the leakage in the first place, but that’s not always possible. When the drum leakage in the track hits that delay, it’ll result in off-time drum hits trailing off each beat-depending on the specifics, this can be musically disastrous. The live/studio mixer may find a good delay time that complements the vocal, but it may not necessarily be a Tempo-based delay time (in time with the beat). Normally this is pretty straightforward, but in some situations-like a band on a small stage-it’s very likely that louder instruments like the snare drum will leak into the vocal mic. But when it comes time to apply effects-especially delay-based effects-things can get trickier.Ī very simple, and common, example would be adding a slap echo to a lead vocal. Leakage can be bad-unpleasant phasiness-or good-added air and ambience. One problem that can sometimes trip up the intrepid delay-user is leakage-when signal from an instrument is unintentionally picked up by the mic for another instrument or voice. ![]() An obvious consideration of delay-based effects is matching the effect to the part.
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